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HOKUSAI S FUJI
HOKUSAI S FUJI
HOKUSAI S FUJI
THAMES AND HUDSON
THAMES AND HUDSON

HOKUSAI S FUJI

ART ISSUES
Šifra artikla: 387329
Isbn: 9780500026557
Izdavač : THAMES AND HUDSON
Hokusai's near-obsession with Fuji was part of his hankering after artistic immortality – in Buddhist and Daoist tradition, Fuji was thought to hold the secret to eternal life, as one popular interpretation of its name suggests: 'Fu-shi' ('not death'). Thirty-six Views of Mount Fuji was produced ...  Hokusai's near-obsession with Fuji was part of his hankering after artistic immortality – in Buddhist and Daoist tradition, Fuji was thought to hold the secret to eternal life, as one popular interpretation of its name suggests: 'Fu-shi' ('not death'). Thirty-six Views of Mount Fuji was produced from c. 1830 to 1832 when Hokusai was in his seventies and at the height of his career. Among the prints are three of the artist's most famous: The Great Wave off Kanagawa, Fine Wind, Clear Morning and Thunderstorm Beneath the Summit. By the time he created his second great tribute to Mount Fuji, three volumes comprising One Hundred Views of Mount Fuji, he was using the artist names Gakyo rojin ('Old Man Crazy to Paint'), and Manji ('Ten Thousand Things', or 'Everything'). Contrasting the mountain's steadfastness and solidity with the ravages of the surrounding elements, Hokusai depicts Fuji through different seasons, weather conditions and settings, and in so doing communicates an important message: while life changes, Fuji stands still. Detaljnije
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Cena na sajtu: 3.553,00 RSD
Ušteda: 627,00 RSD
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Hokusai's near-obsession with Fuji was part of his hankering after artistic immortality – in Buddhist and Daoist tradition, Fuji was thought to hold the secret to eternal life, as one popular interpretation of its name suggests: 'Fu-shi' ('not death'). Thirty-six Views of Mount Fuji was produced from c. 1830 to 1832 when Hokusai was in his seventies and at the height of his career. Among the prints are three of the artist's most famous: The Great Wave off Kanagawa, Fine Wind, Clear Morning and Thunderstorm Beneath the Summit. By the time he created his second great tribute to Mount Fuji, three volumes comprising One Hundred Views of Mount Fuji, he was using the artist names Gakyo rojin ('Old Man Crazy to Paint'), and Manji ('Ten Thousand Things', or 'Everything'). Contrasting the mountain's steadfastness and solidity with the ravages of the surrounding elements, Hokusai depicts Fuji through different seasons, weather conditions and settings, and in so doing communicates an important message: while life changes, Fuji stands still.
        Karakteristika Vrednost
        Kategorija ART ISSUES
        Autor Katsushika Hokusai
        Težina specifikacija 0.5 kg
        Izdavač THAMES AND HUDSON
        Pismo Latinica
        Povez Broš
        Godina2023
        Format14x21
        Strana416

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